Three Important Things You Need to Know about the Chinese Painting


Most people get confused when the phrase “Chinese Painting” is mentioned. Chinese painting refers to the works in classical paintings that date back to the 20th century and contemporary paintings such as those that employ age-old themes, techniques, and materials. What you might not be aware of is that Taoism and Confucianism, history and, the lifestyle of the artists affected this type of painting.

Unlike other forms of painting, the Chinese painting reflected styles and ethnicities in different characters, birds, flowers, and landscape painting themes. Furthermore, the painting is associated with water-based painting methods as opposed to acrylic or oils. This post highlights some of the important things you did not know about this form of art.

Chinese Ink and Wash Painting

Artworks by top collectors like John Dodelande show that ink and brush painting surround Chinese history, traditions, style, and art. Wei We developed this type of painting during the Tang Dynasty and as its name suggests, it involved pure ink and tools similar to those used in Calligraphy.

The intricate gradation of ink and wash painting, particularly in the use of gray, black, white, and the artist’s brushstrokes variations made it famous. When using this method, Chinese artists relied heavily on four subjects, which include orchid, bamboo, chrysanthemum, and plum blossom plants.The four plants represented the four seasons and highlighted the philosophy of Taoism, which emphasis on harmony with nature.

Tang Landscape Painting

Landscape painting was developed during the Tang age and stands as the most representative form of Chinese art. People started recognizing the traditions of landscape painting around the 8th century. Indeed, this concept outperformed the occident quaint naturalism objective.

In Chinese traditional art, artists used the term landscape to indicate mountains and water. However, they later started using ideas like floating waters, still waters, and high mountains to refine the concepts. Chinese artists incorporated feelings of spirituality in mountain and water paintings to accommodate the ideas of Taoist advisors who emphasized the need for secret calm and spiritual identification.

Colors in Chinese Painting

The Chinese artists did not insist on color when presenting sceneries. Instead, they included faded wash in colorless paintings. Still, the modulation used in the Chinese ink is not considered a type of modulation from the Western intellect perspective. The artists used a strong hue in the Buddhist hanging portraits as well as woven silk in official lobes.

The Chinese mural paintings hit a new level due to embellished abundance, which had not been witnessed in presentations from other parts of the world. The regular character changes, strong linear interactions, and the use of special colors in paintings were perceived as achieved, including when in incomplete structures. A good example is the Kuan-Yin, a Ming painting created in 1551.

There are many things behind the Chinese paintings and collections from art collectors like John Dodelande prove that. They have unique presentations that differentiate them from western paintings. The three things we highlighted above are only a few of them. You might need to check other things like the connection between painting and calligraphy and Chinese roll painting.